Chauffeur Service for Media & Production Crews

Transport That Works Around the Call Sheet

Production schedules don't run on office hours, and neither does the transport around them. A 5am call time, a wrap that slips four hours late, a unit base that moves location mid-shoot — these are normal working conditions for a production, and they're exactly what standard taxi or ride-share booking handles worst. London Wheels Limo works with media and production teams on the assumption that the schedule will change, because it always does.

Talent and Crew, Handled Differently but Both Reliably

On-camera talent and presenters typically need a higher degree of discretion and, often, a consistent chauffeur across a shoot rather than a new driver each day. Crew transport — producers, directors, department heads — is more often about volume and reliability across many separate journeys. We handle both, with the same underlying commitment to punctuality and confidentiality either way.

Early Calls and Late Wraps, at No Unsocial-Hours Premium

A 4am pickup is booked and priced the same as a 2pm one. Your chauffeur confirms the night before and is outside on time regardless of what the call sheet demands. On the other end of the day, flexible waiting is built into every booking as standard, so a wrap that runs four hours over schedule doesn't create a scramble to find transport at midnight.

Working Directly with Production Offices

For anything beyond a single booking, we liaise directly with production coordinators and unit managers — confirming locations, timings, and the inevitable last-minute changes through one point of contact rather than relaying updates through talent or individual crew members.

Discretion for High-Profile Talent

Every chauffeur signs a Non-Disclosure Agreement before their first assignment, regardless of who's in the car. For high-profile talent specifically, we can arrange a consistent chauffeur across the full shoot, so there's a familiar face and a driver who already knows the production's routines rather than a new introduction every morning.

Standing Accounts for Multi-Week Productions

For productions running several weeks, a corporate account brings centralised billing across the whole shoot, pre-agreed rates for regular routes like hotel-to-set, and one contact managing bookings for the entire production rather than each department arranging transport separately. It's the same account structure many of our corporate clients already use.